Plus Ones Lyrics
So dry your eyes or let it go uncried, my dear
I am all out of love to mouth into your ear
And not above letting a love song disappear before it's written
To be a spot against the sky's colossal gloom
And land deflated in some neighbor state that's strewn with 99 others
Well, there's a reason why the last is smiling wide and sitting higher than the others
Swinging his arms
Your eyes dilated as light played upon the sight
Of TVC16 as it sings you goodnight
Relaxed as hell and locked up in cell 45
I hope you're feeling better
Admittedly, it doesn't seem to be as gentle or as clean as all the others
Leaving it's scars
I told you, I can't listen, baby, 'bout the 4th time you were a lady and how your forthrightness betrayed a secret shyness
Stripped away by days of being hailed as "your highness"
And what's new, pussycat, is that you were once a lionness
They cut your claws out
The chauffeur's leering from the cheerless mezzanine
And in just one year, the straight world can pay to see what they have been missing
Well, there's a reason why the last is smiling wide and sitting higher than the others
Stinking with charm
He says, "Let's get crossed out and come to harm
Lets make the world's stupidest stand and truly mean it
Lets hit the limit of laws over lovers' arms
No, lets exceed it"

Perhaps the most ingenious part of this song is in its title. It has not one, but three meanings that are prevalent throughout the song. As a whole, The Stage Names (and its spiritual successor, The Stand Ins) permeate with criticism of pop culture, and the lives of those who fall victim to its celebrity. Plus Ones is no exception. In guest lists (and, more specifically, rock concert guest lists), a plus one is an extra person allowed on an invitation. Sheff also writes quite a bit in detail about his own personal love life, and this song is no exception. Most likely, Sheff's speaker is addressing a "plus one", or a woman he meets at some social event (again, probably a rock concert), and takes home with the express purpose of participating in a sexual rendezvous. This woman may symbolize pop culture icons, or may very well be the pornographic actress, Shanon Wisley (otherwise known as Savannah) whom Sheff mentions several times elsewhere in the album. Finally, perhaps the most genius part of this song is the third meaning of the title. The song is riddled with references to famous pop songs with numerical titles. However, Sheff "plus ones" each of the titles so that Nena's "99 Luftbaloons" becomes a reference to the addressee's 100th luftbaloon, and so on.(Full list on bottom, credit to Wikipedia) This is one of my personal favorite songs, and debatedably the best song on the album. And, oh what an album it is. In my view, Black Sheep Boy is Sheff's best work, but Stage Names takes a close second. Though still wonderful in its own ways, Stand Ins pales in comparison to its father album. I do hope to hear more of Sheff's lilting prosetry after Okkervil's "I Am Very Far" tour. If you're reading this, it means you have fantastic taste in music, and I do so hope you maintain that.
? and the Mysterians' "96 Tears," Nena's" 99 Luftballons," Paul Simon's "50 Ways to Leave Your Lover," The Byrds' "Eight Miles High," R.E.M.'s "Seven Chinese Brothers," David Bowie's "TVC15," The Zombies' "Care of Cell 44," Commodore's "Three Times a Lady," and The Crests' "Sixteen Candles."

Just a correction on a few of the lyrics...
The song is called "Plus Ones" because it references several songs with numerical titles, except with one added number ("plus ones").
Therefore:
"100th left balloon" should be "100th luftballon," in reference to Nina's "99 Luftballons"
"TBC 1-6" should be "TVC16," in reference to David Bowie's "TVC15"
"(Cindy?) first when you leave your lover" should be "Fifty-first way to leave your lover," in reference to Paul Simon's "50 Ways To Leave Your Lover"
"lighting candles, 17" should be "lighting candle 17," in reference to Roy Orbison's "16 Candles"
That's all I've got as far as corrections go. As far as I know, these are the other songs that are referenced:
? and the Mysterians - 96 Tears R.E.M. - 7 Chinese Brothers The Zombies - Care of Cell 44 The Commodores - Three Times a Lady

Ah, yes. Thank you. I submitted a request so those can be changed. :)

i think will actually says fifty first way

whoa shit nevermind read that wrong

This is a minor correction: instead of "green point bar," I think it's actually "Greenpoint bar." Greenpoint is a neighborhood in Brooklyn.
I could, of course, be missing some other reference. My apologies if that's the case.

"Staking with charm"
I hear "Stinking with charm"

Kevin111, you forgot "shot up 9 miles high", which refers to the Byrds "Eight Miles High".

And also Tom Jones' "What's New Pussycat?"

Ah, yeah, the Byrds one was just something I forgot to type, but I overlooked the Jones reference. Though in my defense, it's not a "plus one" so to say.
I would say that "What's New Pussycat?" is a plus one, just not in the literal, 'numerical' sense. Pussycat to Lioness is a 'plus one' and fits the context of the work. I would also like to mention that this message has a lot of unnecessary quotation marks.
I would say that "What's New Pussycat?" is a plus one, just not in the literal, 'numerical' sense. Pussycat to Lioness is a 'plus one' and fits the context of the work. I would also like to mention that this message has a lot of unnecessary quotation marks.